American Quilts: The Democratic Art Purchase

American Quilts: The Democratic Art. Revised and updated second edition coming in October!

This revised and updated second edition of the first truly comprehensive study of the art of American quilts and quiltmaking was published in October 2014. It includes newly uncovered information and expands the original edition's coverage even further by adding quilts made between 2007 and 2013 as well as select early high style appliqués and Southern and Amish quilts from the nineteenth and early twentieth centuries.

"A rich and beautifully crafted introduction to American quilts from the Colonial period to the present, Shaw's American Quilts offers an engaging and sophisticated synthesis for readers who wish to learn about the art of the quilt in its many contexts. Readers new to the field will discover the quilt as a remarkable art form; readers knowledgeable in histories of the quilt will discover fresh information and insight. An enduring work."
-Bernard L. Herman, George B. Tindall Professor of American Studies, University of North Carolina, CHOICE, May 2010.

"Surely the most important quilt book ever."
-Laura Fisher, author of Quilts of Illusion and Home Sweet Home: The House in American Folk Art

" So outstanding that words practically fail me. American Quilts re-defines definitive. It is just amazingly good!"
-Mary leman Austin, former Executive Editor, Quilter's Newsletter

Inventing the American Guitar Purchase

Read the feature article in the New York Times.

Inventing the American Guitar: The Pre–Civil War Innovations of C. F. Martin and His Contemporaries

Over the course of a mere twenty years preceding the outbreak of the Civil War, a handful of master craftsmen transformed the European guitar into a new instrument. The guitar they invented during this remarkably short period of time had all of the design and construction features—except size—that would define the iconic American flat-top guitar played by millions around the world today.

Inventing the American Guitar is the first book to describe this remarkable transformation in detail and tell the story of the evolution of early American guitar design. The figure who dominates this history is C. F. Martin Sr., America’s first major guitar maker and the founder of C. F. Martin & Co., which continues to produce outstanding flat-top guitars today. Martin emigrated to New York from his native Germany in 1833, where he began crafting elegant guitars based on the model of his Viennese mentor, Johann Georg Stauffer. But within a few years, Martin and his contemporaries came under the influence of Spanish guitarists, who were all the rage in concert halls of the time, and started to bring Spanish elements into their own designs. Ultimately, Martin designed a revolutionary method of bracing the soundboard of his guitars that set the stage for the emergence of a distinctly American guitar.

The team of scholars that collaborated on Inventing the American Guitar has unearthed substantial new information about Martin, his relationships with fellow luthiers and business associates, his instruments, and his technical advances. The book also puts Martin’s achievement in context by including chapters on Johann Stauffer and the Viennese guitar; guitar making and the instrument trade in Martin’s homeland; early nineteenth-century Spanish guitars and guitarists; and Connecticut-based inventor and guitar maker James Ashborn, who was Martin’s main competitor in the 1840s and ’50s.

Inventing the American Guitar is filled with spectacular photographs of dozens of early instruments by Martin, Ashborn, Stauffer, Henry Schatz, and other early builders, many of them presented full page; and there also are glorious two-page profiles of forty-five special guitars from private and museum collections around the country, including the Martin Guitar Museum and the Metropolitan Museum of Art. In addition, the book includes detailed fold-out working drawings of two very different early Martin guitars, both of them created especially for this book by luthier supplier Stewart-MacDonald, as well as diagrams of bracing and other structural elements of all the profiled guitars.

Peter Szego, who headed the team that created the book, is a connoisseur, collector, and player of early nineteenth-century American banjos and guitars. The book was edited by curator and guitar historian Robert Shaw, author of Electrified: The Art of the Contemporary Electric Guitar and Hand Made, Hand Played: The Art and Craft of Contemporary Guitars. Contributing essayists include David Gansz, an expert on early American guitar maker James Ashborn; Antiques Roadshow appraiser and Martin expert Richard Johnston; luthier and early Martin and Spanish guitar scholar David LaPlante; Arian Sheets, Curator of Stringed Instruments at the National Music Museum, University of South Dakota; and James Westbrook, a scholar of nineteenth-century European guitar making.


“Inventing the American Guitar is a magnificent achievement, the only book like it on American stringed instruments of the antebellum period. The editors and contributors present a feast both verbal and visual. Indeed, the book’s illustrations, laid out with true elegance, are alone worth the price of admission. This book should be on the shelf or coffee table of every player, collector, or scholar of the American guitar.”
—Philip Gura, author of C. F. Martin & His Guitars, 1796–1873

“That old saying ‘you never stop learning’ is very apparent to me with the publication of Inventing the American Guitar. Reading about the research that went into revealing the ‘Ah Ha’ moment when my great-great-great- grandfather made the leap from copying Johann Stauffer to developing his own, distinct style (with a little help from Spanish luthiers) is a tremendous step in accurately telling the story of that great American instrument, the flat-top steel string acoustic guitar.”
—Christian F. Martin IV, CEO, C. F. Martin & Co.


Inventing the American Guitar is an absolute tour de force of fine writing, beautiful photography, and meticulously researched information. Although I have collected and studied guitars since 1963 and am considered to be knowledgeable in this field, I found a considerable amount of information presented in this book that I had not known previously, some of which has caused me to change long-held opinions.”
—George Gruhn, co-author of Gruhn's Guide to Vintage Guitars and owner Gruhn Guitars, Nashville, TN


“My entire life has been entwined with the guitar. Small ones, large ones, acoustics, electrics, archtops, fancy ones, plain ones, 6-strings, 12-strings, you name it! The guitar congealed in Europe, but it wasn't until C. F. Martin landed in New York in 1833 that the instrument started to evolve and mature toward the instruments we know and play today. This beautiful book tells the story of the instrument’s early transformation. If only the guitars could talk.... Oh yeah, I believe they can!”
—Steve Miller


“The history of the guitar is particularly exciting to me since it has been my musical paintbrush for many decades. The acoustic guitar that we all think of today would not have been possible without the evolutionary contributions and innovations of C. F. Martin. His consistent commitment was craftsmanship and tone. This book tells the story of how the little instrument morphed and grew from European styling to a purely American design. It’s a fascinating story!”
—Stephen Stills





Electrified: The Art of the Contemporary Electric Guitar offers a visually stunning selection of guitars by the finest builders at work today, showcasing instruments by 125 master artisans and custom shops from fifteen different countries. More than 250 spectacular color photographs, many of them full page, of killer guitars by luthiers who have custom-built instruments for the likes of George Benson, Eric Clapton, Billy F. Gibbons, Kirk Hammett, Steve Miller, Keith Richards, and Stevie Ray Vaughn. All but a handful of the guitars in the book have been built within the last few years, so it offers a spectacular overview of the current scene. A must for every guitarist, this is a substantial (11 1/4 x 10 3/8 inches, 272 pp.) hardcover with a dust jacket.

Electrified dust jacket

Ecpressions of Eloquence and Innocence II Purchase

Expressions of Innocence and Eloquence: Selections from the Jane Katcher Collection of Americana Volume II is now available .
I contributed three essays to the book: "Dat So La Lee and Her Baskets," "A Fame Weathervane," and "Jewish American Folk Art: Between Two Worlds."

This handsome book, the second volume of selections from the Jane Katcher Collection, presents a superlative group of American folk and decorative arts created primarily in New England, New York, and Pennsylvania in the 18th and 19th centuries. Familiar categories of Americana—portraits, quilts, weathervanes, boxes, trade signs, miniature portraits, schoolgirl art, furniture, and Shaker objects—are joined here by new directions in collecting, represented by objects such as love tokens, friendship albums, and rewards of merit. Noted scholars, including Paul D'Ambrosio, Deborah Child, Robin Jaffee Frank, Richard Miller, David Schorsch, Robert Shaw, Richard Stevenson, and Robert Wilkins, discuss the historical, economic, and social context in which the objects were created, as well as their aesthetic qualities and their makers' craft methods. Lavishly illustrated with 470 color illustrations, this book, like its companion volume, is essential for anyone interested in American folk art, Shaker craft, early American furniture, and Native American artistry.

Inspired Traditions: Selections from the Jane Katcher Collection of Americana, which includes many of the objects studied in the book was on view at the Fenimore Art Museum in Coopertown, New York through December 31, 2011.


BIRD DECOYS OF NORTH AMERICA: Nature, History, and Art

Available now.The definitive book on antique bird decoys, a gorgeous hardcover volume illustrated with stunning color photographs of more than 300 classic decoys from all over North America, plus Audubon bird prints, historic black and white photos, nineteenth century prints, and more.

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Amish Abstractions


Amish Abstractions: Quilts from the Collection of Faith and Stephen Brown was on view at the de Young Museum in San Francisco through June 6, 2010. The exhibition featured 48 full-size and crib quilts made in Amish communities in Pennsylvania and the Midwest and dating from the 1880s to the 1940s.

The exhibition catalogue explores the origins, techniques, and context of these visual masterpieces. More than seventy-five quilts originating in communities throughout Pennsylvania and the Midwest from the 1880s to the 1940s are presented in full color along with contributions by three quilt experts: Joe Cunningham, a well-known quilt artist, author, and lecturer; Robert Shaw, an independent curator of numerous quilt exhibitions; and Janneken Smucker, a doctoral candidate at the University of Delaware specializing in quilts from the Amish and Mennonite traditions.

Scholarly Perspective: An Interview with Robert Shaw by Quilter's Newsletter

Hawaiian Quilt Masterpieces by Robert Shaw


Hawaiian Quilt Masterpieces

First brought to the islands by missionaries and traders in the late 19th century, quilting in Hawaii adapted to the physical and cultural environment of the islands to become a distinctive art form. The earliest quilt in this collection of Hawaiian masterworks dates from 1874 and the most recent from 1995. Following the format of his earlier Quilts: A Living Tradition, Shaw includes a detailed color photograph, a historical introduction, and a critique for each of the 48 quilts. Essential for textile history collections."
-Library Journal

Hardcover, 12.1 x 9 x 0.9 inches, 120 pages, 48 full page color photos.

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Had Nade, Hand Played



We are living in a golden age of guitarmaking, and this gorgeous new book offers a definitive look at the work of the most skilled artisans at work today. From reproductions of Renaissance and Baroque-era instruments to the wildest looking and most technically advanced electric guitars on the planet, this book covers it all. More than 300 color photos of guitars of every kind imaginable—classical guitars, flattops, archtops, harp guitars, Hawaiian lap guitars, Dobros and metal bodied resonators, acoustic and electric basses, hollow and solid bodied electrics, and more. A must have for every guitarist you know and for anyone interested in contemporary instrument building and hand craftsmanship.

Soft cover with folding flaps. 11 x 8.5 x 1.3 inches, 416 pages, more than 300 color images!


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"Wow! A really unique book that takes a breathtaking tour of more than 300 of today's most creative, imaginative, and gorgeous hand-made guitars -- all illustrated in vibrant full color photos with specs for each guitar and personal statements and anecdotes from the luthiers who made them. The past 25 years have seen an explosion of craftspeople who build guitars by hand, employing an attention to detail, higher quality materials and more technical skill than in any previous era. This book showcases an incredible variety of guitars made by these luthiers, from elegant parlor guitars and innovative classicals to wildly shaped electrics and guitars with seven, ten, twelve or more strings. It's a feast for the eye, mind and soul of anyone who loves guitars."

- Elderly Instruments

"Music making aside, readers of this large book could be convinced that the guitar primarily exists as an art form. It is a lavishly illustrated book for the guitar connoisseur and will be treasured as such. Over 300 one-offs made by some of what the author terms the ‘explosion of craftspeople who build guitars by hand’ over the past 25 years are presented. This is not a how-to-make-a-guitar book. There are mostly one page ‘profiles’ of an instrument, its specs and its maker. The specs list the woods and materials used, the dimensions and suggested retail price. The shapes, use of timber, inlays, scrolling and detail work on these acoustic and electric instruments is astounding."

-Australian Woodworking

"Five stars! A beautiful book that honors the guitars and the luthiers. The first thing you notice is the elegant, artistic layout and spectacular photographs. Then you start to read a little here and there, soon finding that there is great research and writing to support the guitars. Although it is the sort of book that you usually flip through and read casually, I was so fascinated by the history and the philosophies of the guitar makers, I started reading every page from the beginning! It gives you a taste and makes you want to visit the shops and talk to the luthiers. I started fantasizing a road trip going from shop to shop, talking, playing, wishing I could buy... This is not a simple coffee table picture book - it is a beautiful celebration of guitars and their makers."

Drawing by Susan SHie

Drawing by Susan Shie,

Brewster painting Purchase

This magnificent book, which has been called "a museum without walls" by Maine Antique Digest, presents stunning photographs of more than 200 objects from the extraordinary collection of Jane Katcher, along with scholarly essays by a distinguished group of experts, including yours truly. I contributed four essays and particularly encourage you to read "Humanizing the Mundane," an exploration of how and why great utilitarian objects engage and move us.

For more information, please visit the extensive Expressions of Innocence and Eloquence web site.

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© 2011 Robert Shaw